Laurence Crane (born 1961) often incorporates electronic instruments into classical works and uses commonplace musical objects in new structural and formal relationships. Chords and intervals in their most basic state, arpeggios, drones, cadences, fragments of scales and short stepwise melodies are presented in regular and irregular repetitions or juxtapositions that are partly intuitive and partly structured according to a formal scheme. He invents a new context for these objects, to discover a fresh beauty in the familiar and the ordinary.
Crane writes music largely for the concert hall, though his output includes pieces initially composed for film, radio, theatre, dance and installation. Between 1985 and 2003 Crane concentrated almost exclusively on writing miniatures; short pieces that are invariably focussed on a single idea. Over the past decade he has developed an interest in making longer works and several compositions since 2003 are extended pieces. These pieces explore the possibility of building a large-scale structure using the same type of static and reductive musical material that was examined in the miniatures.
He has worked with many ensembles in the UK and abroad, including Apartment House (UK), Plus-Minus Ensemble (UK), Ives Ensemble (Netherlands), asamisimasa (Norway), Cikada Ensemble (Norway) and Quatuor Bozzini (Canada).
Laurence Crane | I would like to thank the Paul Hamlyn Foundation for this award, which will undoubtedly make a huge difference to my life and work over the next three years. It will enable me to realise some larger projects, which might otherwise have been impossible to achieve. It is a great honour to have been selected for a Paul Hamlyn Foundation Award for Composers and I feel more than a little overwhelmed to have been chosen to receive one!